Hal McGee
Hal McGee's Audio Insult 15:57/192k
...with sounds and pre-recorded material by Hal McGee, K Paul Boyev (Otolathe), Andrew Chadwick (Ironing, Capstan Drive), Al Margolis (If, Bwana), Aaron Zarzutzki, Charles Rice Goff III, Phil Klampe, Jen Sandwich, Ego Death, Michael Thomas Jackson. Credits: David Fuglewicz Open Loops, Mental Anguish Open Loops, Omnitechnomatrix Open Loops. Genre: Experimental. Created: 28 Mar 2008 08:52 AM. Plays: 1513
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Hal McGee
itchinmytwitchyglitch 06:21/192k
Recorded and processed on microcassette (and in Acid Pro). I am itchy and twitchy and irritable and pissed off. My idea of dance music for the 21st Century. This sounds like the tinnitus in my right ear. Photo by Jen Sandwich. Credits: GEMAfreie-welten Guest Artist, Hal McGee - manipulations. Genre: Glitch. Created: 22 Aug 2007 06:15 PM. Plays: 997
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Hal McGee
Waterproof Serpent 07:45/192k
A new avant garde surrealist spoken word piece constructed and sculpted out of spam emails. I have consulted The Oracle, and this is what she spake. Credits: GEMAfreie-welten Guest Artist; Hal McGee - voice and words; Jen Sandwich - photograph. Genre: Avant Garde. Created: 20 Apr 2007 04:13 AM. Plays: 1175
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Hal McGee
Dark Side Of The Sun 09:36/192k
Fuglewicz and I inhaled the smoke deep into our lungs and set out for the Dark Side Of The Sun. Nine minutes and 36 seconds later we exhaled. Credits: David Fuglewicz and Hal McGee synthesizer loops from Free Loop Project 015. Genre: Space Exploration. Created: 09 Apr 2007 03:34 PM. Plays: 1257
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Hal McGee
Beat Frequency 09:00/192k
Invented in 1919 by Russian scientist Leon Theremin, the theremin was one of the earliest electronic music instruments, and the first musical instrument designed to be played without being touched. The theremin is the only instrument that is literally "played in space".
From Wikipedia:
The musician stands in front of the instrument and moves his or her hands in the proximity of two metal antennae. The distance from one antenna determines frequency (pitch), and the distance from the other controls amplitude (volume). The theremin uses the heterodyne principle to generate an audio signal. The instrument's circuitry includes two radio frequency oscillators. One oscillator operates at a fixed frequency. The other is a variable frequency oscillator, the frequency of which is controlled by the performer's distance from the frequency control antenna. The performer's hand acts as the grounded plate (the performer's body being the connection to ground) of a variable capacitor in an L-C (inductance-capacitance) circuit. The difference between the frequencies of the two oscillators at each moment generates a beat frequency in the audio frequency range, resulting in audio signals.
Inspired by John Cage, Robin O'Brien, Gerard Greenway, and Leon Theremin. Credits: Hal McGee Open Loops; additional theremin and effects by Hal McGee. Genre: Beats. Created: 22 Feb 2007 04:36 PM. Plays: 1159
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Hal McGee
Momentum Of A New Self-Image 09:55/192k
I constructed the text of the spoken word audio recording which forms the basis of this piece out of word fragments from horoscopes and spam emails. At once abstract and at the same time highly personal, "Momentum Of A New Self-Image" addresses existential issues of self-awareness, doubt, overcoming living death, and many other things. Into this word tapestry I wove acoustic guitar, acoustic bass, flute, bassoon, bullroarer, and tambourine loops by Ed Drury. Credits: Ed Drury Guest Artist; Hal McGee, voice, words. Genre: Avant Garde. Created: 08 Feb 2007 09:37 AM. Plays: 2263
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Hal McGee
Black Mood 09:03/192k
Someone recently tried to tell me that white is the new black. I don't believe it for a second, especially when I'm in a black mood. Listen to it loud. Credits: Mental Anguish (Chris Phinney) - synthesizer loops from private resident artist FTP loops; Hal McGee - Moog Voyager synthesizer, Moog MF-104 Analog Delay. Genre: Industrial Electronic. Created: 12 Jan 2007 09:33 AM. Plays: 1286
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Call Me Kid Cacophony (05:19)
I am living my second childhood. This song is the proof. The photograph of me is from 1969.
Genre: Folk Experimental
Credits: Kidgerm project loops (Chris Phinney, etc.); Megascorpion Guest Artist; Hal McGee: theremin, bongos, shortwave radio, pots & pans, plastic recorder, kiddie keyboards, 4-track cassette recorder
Album: Hal McGee Tapegerm Collection Volume One
Label: HalTapes
Call Me Kid Cacophony... "Great masterpiece of post - children - naive - psycho - experimental - dada-music. Reminds me at a session I made with Robin, my brother's son (I don't know the english word for Neffe, sorry). Nice to get your email-infos, Hal, nice to own some of your countless CDs... highly reccomended for everyone who likes it unconventional !!!" -- (posted 10/03/05)
Call Me Kid Cacophony... "This is another fine mix Hal. It's an excellent mix of a very varied audio pallet. Indeed, you paint with sound with the confident "brush strokes" of a Master. Well done.
Call Me Kid Cacophony... "This is funky man, u even used pops loops (props for that)! Oh Yeah by the way, thanks for saving my life that time when I fell in the pool!" -- (posted 09/26/05)
Call Me Kid Cacophony... "I know Kid Cacophony. He looks suspiously like a brother of mine. I know and understand his art. There is a place in time where you need to accept art for art's sake -- in other words, either ignore it completely or embrace it with all it's beauty and flaws.
Call Me Kid Cacophony... "Now you know why I own around 30 of hal`s CD`s. He just keeps getting better." -- (posted 09/26/05)
Call Me Kid Cacophony... "It must be said, or at least typed, that Hal has captured perfectly the angst and its attempted remedy in the head of Hapoleon's boy, the Duke of Reichstadt, in luxurious captivity in an Habsburg palace. Reduced in scope from casring struggle under skies from Cadiz to Tilsit, Hal here has his angst and his remedy contending in a match under the skull instead, a little Austerlitz by the brain stem, a Wagram raging in the cortex, a Lepizig there suddenly playing out in the cerebellum and a treaty with Alexander considered quite possible in a cerebrum convolution where flows a little Nieman river made of seretonin, there by the end as all attendeed dance to that theremin. Masterful and awe-striking, Hal and a solace to his partisans whether they know they are or not. " --buzzsaw (posted 09/26/05)
Call Me Kid Cacophony... "I like it Hal. I remember you wrote this in Rigodon #1:
Call Me Kid Cacophony... "excellent collage of insanity! one of those mixes where you'll notice something different with each listen! great pic too!" -- (posted 09/25/05)
Call Me Kid Cacophony... "Really enjoying this cacophonious (sp)? mix...Reminds me of Chuck in parts,but done much better I think...Tasty & the picture of Hal as a young lad :-)Nice job all way round !" --Mental Anguish (posted 09/25/05)
Dave" --davefuglewicz (posted 09/30/05)
Why ask any artist the meaning of their work? What does it mean? is a futile and unanswerable question for most artists, be they painters, musicians, poets, or sculptors.
Hal has shown once again that artists express themselves through their own reality. It's a worthwhile communication, not always understood or well received by the mainstream. But important in terms of pure communication through art.
I have at least five of Hal's paintings hanging in my house in Italy. They are Pollock inspired, but somehow better because Hal made them. I recently visited the Guggenheim museum in Venice and saw original Pollacks. They didn't compare favorably to Hal's works.
Hal is the artist, lives his life through his art. I am the poet, the visionary. Our younger brother is the gifted percussionist. We all live through art, just different forms of the same expression.
Cacophony is a word that means chaos in music. I hear no chaos, understand the message, and celebrate it's beauty.
Well done. Brava!
" -- (posted 09/26/05)
"(...)the worst part for me is that much of Noise seems highly impersonal. I am not interested in audio art in which the artist has removed his personality. In fact, just the opposite. I want to hear audio art that reveals something of the artist's life experiences -- not in a confessional way -- but in an psycho-emotional, existential way. Let's face it, as far as audio art goes, it's all been done before. What remains for us as audio artists is to present unique soundpictures that reveal something unusual or different about our individual experiences.
As far as I am concerned, the audio artist who employs noise structures should magnify, should increase the range of sound materials he uses -- not reduce them! There is this big audio canvas in front of him. Why does he only throw a few globs of grey and brown paint at one corner of the canvas and then smear it around a little. Hell, I want to see reds, and oranges, and deep vivid yellows & blues, and lurid green tones -- and black of course.
Also, what has happened to fun and a sense of humor? Much of what I have heard from Noise artists is kind of emotionally-blank or merely trashy in an off-hand way. I am no fan of shitnoise. Shitting is for the toilet. Audio art is for the mind.
I think that audio artists need to forget about genres and just make sounds! Noise, ambient, techno, and a million-zillion other sub-genres are just limitations and restrictions on creativity. Whatever happened to Experimental Music, in which the artist explores new possibilities, new ideas, really stretches his imagination? Forget about boundaries. Forget about fitting into a genre or style. Welcome failure! -- because out of failures arise new, previously-unthought-of sound structures.
I have called much of my work "organized accidents". I am not afraid to fail. I do not fear miscues and mishaps. When I have the audio canvas in front of me I am going to throw everything at it!(...)
Well, I thinks this recording illustrates exactly what you mean.
" -- (posted 09/26/05)Blogs
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